ART, CRAFT, AND ORIGINALITY OF A STREET MAGICIAN

JIMMY TALKSALOT
street magician








alot of people unfamiliar with street magic,

Who see a good street magician always ask,

"where did they learn that show or where did they get those quality props?"

"where did they come up with that way of doing that trick or where did they get that character?"

welp, they made them.

you see along with being an art and business, this is a craft.

if you can't make your own show,

you may not belong in this business, unless maybe, you can pay some one to make you a unique original show for you.

but even then you should ask yourself, "if i'm not creative enough to make my own show, why am i getting into the creative business?"

granted maybe your charismatic enough to entertain people from a tellemarketing script,

but,

if your not creative enough to create your own routines, lines, bits, and shows, you may just be a common salesman, who by the way can be very entertaining,

but of course for a different motive and venue.

and if you are a common saleman, i assure you there is much more money in tax annuities than busking.....go there, because that should be the motive of a salesman.

you see, the motive of a magician is to be a magician and to live that life.

you see, a magician makes his living by doing magic, not by any other product that will make him more money.

if you can't make your own props, it maybe because your not a creative person....and what makes you think you should be in a business that is intrinsically creative?

the reason we make our own props, is because one size doesn't fit all characters, physiques, and comfort zones.

heck, most of the props we need are not made because we maybe the only person doing that trick.

if you want to be a proffessional magician, you should do a lot of soul searching and strict self criticism to see if you really are this thing.

because i wouldn't wish this on my own worst enemy.

we are born this way, more than we are made.


if you weren't born to be a magician, my gad please look into what you were born to be.

it will save you years of up hill battle.

many amatuer magicians are always looking for that newest one big trick that will make their career.

the place to look for this trick is in research, stage time and in your own imagination.

now, i know that there are a lot of tricks, props, and other products on the market that promise you fame and fortune......

wake up!!!!!

these are made by creative people for uncreative people, just as a magic show is created for people who can't do magic.

these products are wonderful to use as research and a thing to get the creative juices flowing, or as another color on the palet.

please don't get me wrong products are great!

but what you do with them and how you make a new tool from the original idea is what is most important.

and i assure the reader it will be the self made, or proffessionally written, original presentation, of a very unique effect that will make you successful.

this of course is extremely difficult and not many of us, myself included, have achieved this to perfection, as many of the great legends have, but this is the work.

the real work.

in my book i try and teach this.

i go in length how to create a show and props.
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i don't want anyone to get the wrong idea and think i am full of myself and think that i am the most creative person, blah blah blah.

infact i am not saying this at all.


it should be noted i believe of course, that everyone is creative, to some degree, and with their own thing.

i fancy myself a good cook, but i simply wasn't born to be a proffessional chef.

i am not driven for that, hence my creativy wont excell in cooking, as much as some one driven to do it.

lord knows i love to eat good cooking and try my hand at it some times.

but that's a big difference from thinking i am a master chef and i will take on the world with it.....

also i am well aware that there are many more creative people than me in busking,

certainly many of my students and all of my teachers are,

but i'm the best at doing my show, because it's mine.

this is about being honest with yourself and knowing your limitations.

this is about not pretending to be something that your not.

this is about keeping up the quality of our society as magicians, by being where we are needed most.

your pal jimmy

SURVIVING IN A SMALL TOWN

for the past two years,

i have been working in the hardest town,

i have ever had to work.






i have been supporting myself and my family.

i have had a lot of requests to tell my secret.

so here it is.

the trick to making a living as a busker in a very small town with hardly any foot traffic is to;


#1.
work small short shows all day and night, every day and night without fail.

if you do not work you will go back to the "real job."

YOU MUST get it into your head that this is a real full time job.

so pack a lunch and go put in as many hours as you can.

think 8 to 10 hours miniumum.

even if you suck you are bound to make money with those hours seven days a week.



# 2.
week days are a must, no exception.

do short small sidewalk shows all day and night on the week days.

week days are crucial. if your only going out on week ends.....you will fail.

if you are going out on the weekends,

fighting with other weekend warrior buskers for the good spot and only getting a few shows off for the day....you will fail.

on the week ends go out and find your own pitch somewhere and bang out as many shows as you can all day.

by the time the weekend comes, i have already made my money during the week.

so the weekend isn't a big hassle and rush to make money.

working when it is hard on the week days make you a stronger busker, so when you are on a better spot you will clean house.

the amatuer goes for a few hours on the weekend and makes a little.

the pro works all week and makes a living.

this is the #1 thing that a beginner doesn't get.

if you wont work weekdays, save yourself and all of us pros some grief and give up your dream of being a pro.


#3
when working week ends do as big a show as you can to maximise your hats.

week ends are for half circle to circle shows.

so you may have a week day rig and a week end rig, but be careful because some week days you may be able to pull a big show off.

a circle show is quick big money if you can get one off.


#4
don't judge your money by the day.

judge your money by the month.

judge your money by the week to see if your on track for the month.. then divide by forty hours to see how you compare to a real job.

if you have 3 bad days and you judged by the day you will get very discouraged...but you may have had a great week.


#5
you will have to make less money per show, to make more money in the long run.

in other words if a mall or a shop is letting you work their property and you keep blowing the pitch up with huge crowds and loud amps and long shows....

they will get rid of you.

remember familiarity breeds contempt.

this of course will cost you quite a bit of money per day, but in the long run over a year you will have a full time job.

if you can get the cops and the shops to think that you care about their rules and that you are not making that much they will will defend you.

remember, no one cares until you start making money.


#6
figure out the foot traffic schedule for each pitch for that day in your town.

when your on that pitch, stay on that pitch til it's done, milk it.

also if your pitch dies at a certain time of day and another one in town picks up go there and milk that one.

in other words,

the park or the board/river walk may be busy during the day

then at night the downtown club strip may pick up...so there's your schedual for the day and night.

try and keep your 10 hour day to no more than 2 locations when you go out and work.


#7
pick up as many festivals, craft fairs, and town events you can crash or get permission for.

try and move about town through out the month, when picking these up,

because if your in a small town, by the end of the day, they may have all seen you in that little section of town.


#8
keep a record book.

record all your pitch locations, your hours on each pitch for the day, and how much you made per pitch.

also, you may want to make a little note of things conserning the job that could be important in the future.

this will tell you how much your making per month and where.

it will also let you know next year where the money will be and what you may expect.


#9
don't be afraid to commute every day to the closest busy town next to you.

i myself commute, two hours by trolley to the pitch then two hours home every day.


#10
bad weather?

no problem,

if it's not too cold for people to stop, then work.

i have worked many times in the snow, when i was hard up.

there's gloves that are thin enough and tricks that you can do with stiff hands.

also if it's raining, that's great, because you can busk under an over hang to a {literally} captive audience.

also when there's a break in the rain you can make a big show with a fat hat, just make it quick and judge wheater or not it's gonna rain before your finale.

of course, you can also busk indoors throughout the winter.

just hit every single family resteruant and bar in town.

this is about commitment.



#11
once again, work weekdays.

this will make you the strongest crowd puller in your town.

it will also make you the monthly income you so desperately need.

while the weekend warrior idiots are fighting over a pitch and scrambling to make all their money in two days,

you will already have made your quota for the week.

let em fight, and you go find a pitch of your own, because your strong enough to work a slower pitch then them,

because you have trained all week on the slow pitch.

and remember.

short small shows on the weekdays.

and large commercial shows on the week ends.

i hope this helps.

your pal jimmy